“Frings...is spectacular, layered, funny, devious and smart...” - Staged

Victoria Frings as Polly Peachum - Threepenny Opera

The How and the Why, robust and real in performances by Janis Dardaris and Victoria Frings…In Frings’ impulsiveness and quick-changing emotion, you sense the impetuousness of someone on the verge of something big, without a clue as to what that may mean for her life.” – The Philadelphia Inquirer

"However, the true muscularity of the play stems from the talented and beautiful women MacHeath has wronged: Victoria Frings (the leggy and vivacious Polly Peachum)…” – The Examiner

“Frings’ smartly saucy and gloriously physical Beatrice has a hate-love relationship with Radway’s…Benedict, and both of them are so engaging and well through out that when either of them is on stage they completely captivate the audience…” – Staged

"As the Martins, Victoria Frings invoked the spirit of Lucille Ball…” – Philadelphia City Paper

“Played with consummate grace and skill by Frings, Rachel is smart, calculating, and more than a little manipulative, but also deeply damaged.” - Staged

“Victoria Frings is a vocally lovely ice princess of a Polly. Tall, pale, and blonde…coming to life when her beloved Mackie is hauled off to jail and she takes over the business as if she were born to keep a criminal’s books.” – NY Theatre-Wire

“The fairies…were solid, and Victoria Frings and Bradley Wrenn as Titania/Hippolyta and Oberion/Theseus respectively, were far more then just that, sparring and circling each other and bringing a well constructed passionate heat to an otherwise completely wholesome experience.” - Staged

“Dardaris and Frings deliver all that Treem's script asks of them…Rachel veers so wildly from competitive ruthlessness to miserable self-deprecation that I wondered how she could last a day without committing murder or suicide. Her repeated storm-offs feel contrived, but Frings somehow keeps Rachel grounded and, by the end, genuine and sympathetic.” – Philadelphia City Paper

“At the beginning, Rachel was making me nervous (as she should have been) but grew on me because of Frings’ thoughtful handling of a character who is gorgeous, brilliant and totally diffident.” – examiner.com